I found what the Swedes, Hugo Thorsin and Jan Eric Persson at DSDfile.com, write as their intro is in fact a good intro to DSD too! If you want to start learning the story about the super sound format start with their piece of text.
The very first DSD album that I bought was Opus 3 DSD Showcase 1 (128). If you want to experience music in DSD make sure you experience Eric Bibb – Where the green grass grows! I can easily understand DSD fans’ passion for the format when I listen to great DSD tracks like this. For years I listened to this song via CD*, but in DSD the band’s performance is far more realistic.
With that said, is DSD as a format good enough for sound reproduction by an Hi-Reality Machine? No, it is not. The many decades old analogue tape still seems to be the king which is a sad indication of the audio recording industry’s pace of progress (not to mention that DSD itself is a decades old technology).
In the meantime, the old Audiophile society like to debate on things like whether DSD is superior to High-Resolution PCM or not? (a topic for an upcoming post). Perhaps, we should ask more interesting questions such as how will these two formats evolve into the next generation sound recoding and playback methods and formats?
For now, I plan to buy and listen to A Selection of Analogue Eric Bibb, Direct from Master Tape, in DSD 128 (5.6MHz).
* I was introduced to the prime society of Audiophiles through my university friend Mats, a.k.a HiFi Mats.